Waterbeach

I’m singing in Ely Cathedral this week, and staying in a guest house in Waterbeach, so I wrote a hymn tune today.

Here are the words, by Nathaniel Cotton:

1. Affliction is a stormy deep,
Where wave resounds to wave;
Though o’er my head the billows roll,
I know the Lord can save.

2. The hand that now withholds my joys
Can reinstate my peace:
And He who bade the tempest roar,
Can bid that tempest cease.

3. When darkness and when sorrows rose
And pressed on every side,
The Lord has still sustained my steps,
And still has been my Guide.

4. Here will I rest, and build my hopes,
Nor murmur at His rod;
He’s more than all the world to me,
My Health, my Life, my God!

(I left out one verse because it had the emphasis on the wrong syllable.)

The software I use to make the robots sing isn’t working with the midi file of this for some reason, and as I’m not at home I can’t put it into the big computer to see if that helps. But here’s the .pdf:

Waterbeach PDF

You can also download the pdf and also the midi file at the Choral Public Domain Library, as usual.

Ely Cathedral Choir, Cambridgeshire, UK - Photo by David Liff, License: CC BY-SA

Immigrant Jesus

I’m not an American citizen.

I don’t have a lot of spare money at the moment.

What I can do is write hymn tunes.

So I’ve written one to this text by Gary Alderson:

1. You ran from oppression,
Crossed the baking sand;
Found your own safety
In an alien land.

And Rachel’s still weeping, weeping,
Weeping for her children.

2. And you found a haven
In that far off place;
Shielded and welcomed
By a foreign race,

And Rachel’s still weeping, weeping,
Weeping for her children.

3. Fled here as a stranger;
Ran in hope and fear.
What kind of welcome
Shall this child find here?

And Rachel’s still weeping, weeping,
Weeping for her children.

4. Now torn from my mother,
Caged in a free land,
Immigrant Jesus,
Come and take my hand.

And Rachel’s still weeping, weeping,
Weeping for her children.

It’s available on CPDL and here. CC by-SA as usual. I’ll try to get an underlaid version up by tomorrow morning, too, for people who prefer hymns with the words under the dots.

IMMIGRANT JESUS in pdf format

Robot clarionets:

Me singing:

My Patreon patrons are paying me for this, but I’m donating a portion of the funds to RAICES at the beginning of next month. I don’t know how much that will be yet, because I’ve committed other funds to some commissions, but it’ll probably be half of whatever’s left after that.

Please consider making a donation if you can.

Painting by Fra Angelico - Flight into Egypt

Fall, Leaves, Fall

Here’s a little piece for the autumn, a setting of Emily Brontë’s poem “Fall, Leaves, Fall” for AATTBarB or SATTBarB a cappella; I’m thinking about doing an upper voices only arrangement, too, but I haven’t done anything about it just yet.

I know, I know, it isn’t autumn yet! But it is the time of year when some choirs are thinking about what they will programme for the next year.

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.

As usual, the music is available from the Choral Public Domain Library under a Creative Commons Attribution Share-Alike license, and also available to purchase from Lulu.

I make this music available for free, but that means I don’t get royalties and I don’t sell many paper copies, so I need your financial help for this to be viable. If you’d like to have all my new music posted to you, or some other goodies, by snail mail*, please consider a monthly subscription, or supporting me via Patreon. If you’d prefer to support me anonymously, LiberaPay will allow you to do that.

*Snail mail not actually posted by snails. I’m sorry. It would take too long, and it would be cruel, and the envelopes would probably get slimy.

Music for Lent 1: Angelis suis

(If I’ve done this correctly it should post on Wednesday night, UK time…)

Vitrail Florac 010609 09 Ange Gardien

Ready or not, Lent is upon us.

In January, Sally Martin-Brown asked me if I had anything suitable for the University of London Church Choir visit to Jerusalem. I had a rummage through my notebooks, sure I’d started something at some point, and sure enough, there was a sort of skeleton of this piece, the Latin version of Psalm 91:11-12: Angelis suis Deus mandavit de te: ut custodiant te in omnibus viis tuis. In manibus portabunt te, ne forte offendas ad lapidem pedem tuum. (God shall give his angels charge over thee: to keep thee in all thy ways. They shall bear thee in their hands: that thou hurt not thy foot against a stone.)

I’m hoping to record the piece while we’re in Jerusalem, but in the meantime, here are some robots:

Angelis suis as sung by robots (mp3 from MIDI)

As usual you can download the score from CPDL. Please don’t sing it before Sunday, though, when we’ll be singing the world premiere of it at the site believed to be where Jesus was baptised in the River Jordan.

If you like this music and want to help me compose more, please consider supporting me in one of these ways. Thanks so much!

Patreon Shenanigans

Patreon is changing their fee structure to one in which patrons pay more than the amount of their pledge, and creators get a lower percentage of what patrons actually pay.

Lots of people are upset about this, and rightly so.

I’ve had misgivings about Patreon for a while: the way they keep trying to encourage people to have walled gardens (yuck); the way they prioritize shiny tools for very popular creators over things that would make life easier for the rest of us (support for multiple currencies, anyone?); the way the text editor for posts is so difficult to use.

Platforms come and go, and what the most recent changes tell me is that this one may be on the way out, or may be changing to something that won’t work well for me, given my commitment to Creative Commons licensing.

The long and short of it is that I’ve decided that, while I will continue at Patreon for the time being, I’m also branching out into other crowdfunding in a much more serious way. It really doesn’t feel like a good idea to have all my eggs in the Patreon basket any more, no matter how much I like the pay-per-work model that has been so helpful for me over the last four years.

What that means for today is that I now have a Subscriptions page where you can, er, subscribe. In return there are quarterly rewards like stickers and postcards and printed music.

I’ve also opened an account at Liberapay, though I have no idea whether it will come to anything; and I’m going to be experimenting in coming months with a tip jar style of thing, possibly using Ko-fi, possibly some kind of rolling my own so that it can be for £1 instead of £3, because that’s a big difference. I haven’t quite figured out the entire strategy yet, and it’s bound to take time.

The bottom line for me is that I want to keep putting my choral music online for free, so that people can sing it whether they happen to have money to pay for it or not. How that gets funded is less important to me than that it happens.

Colwall 87 87 887 (Lo, in the wilderness a voice)

I have a new project, Cecilia’s List, where (among other things) I make weekly recommendations for music composed by women and other underrepresented groups that’s suitable for church use. I’ve only really just gotten started, and so I still have a lot of music to look through and add.

This week I’ve had a bit of a struggle trying to find something suitable for Advent II, which is very much John the Baptist oriented. It’s entirely possible that, in all the recommendations I’ve been sent, there was something suitable and I’ve missed it. But there comes a point for any composer where the easiest way to solve a problem is to write more music…

So here is Colwall, a tune to Percy Dearmer’s “Lo, in the wilderness a voice”. I’ve modified the words slightly to make them more inclusive, though I couldn’t work out a good way of dealing with “cruel men” so left it in there, since there are still quite a few of those about.

1 Lo, in the wilderness a voice
‘Make straight the way’ is crying:
When all are turning from the light,
And hope and love seem dying,
The prophet comes to make us clean:
‘There standeth one you have not seen,
Whose voice you are denying.’

2 God give us grace to hearken now
To those who come to warn us,
Give sight and strength, that we may kill
The vices that have torn us,
Lest love professed should disappear
In creeds of hate, contempt, and fear,
That crush and overturn us.

3 When from the vineyard cruel men
Cast out the heavenly powers
And all the world denies its Lord,
The earth in ruin cowers.
Now come, O God, in thy great might!
Unchanged, unchanging is thy right,
Unswayed thy justice towers.

I asked my friend the Revd Dr Catherine Dowland-Pillinger to name this tune, since I spent some time with her today and was thinking of her when I wrote it, and since I haven’t asked her to name a tune yet. She chose Colwall, a village in Herefordshire where her husband Eric’s ancestors lived for centuries.

Here are some robot clarionets playing it:

And here is a download of the sheet music in .pdf format: Colwall.pdf

PDF and mp3 also available for download from the Choral Public Domain Library.

Like this? Lovely! Please consider buying me a hot chocolate vi Ko-Fi or supporting my work in some other way. Thanks so much.

I would not paint — a picture —

I was delighted to be asked to write a piece for the Chapel Choir of King’s College, Aberdeen, for them to sing on St Cecilia’s Day this year.

A cream and yellow drawing of a rose -- Study of a Rose LACMA M.73.136

I chose this text by Emily Dickinson at the suggestion of Catherine Fox:

I would not paint — a picture —
I’d rather be the One
It’s bright impossibility
To dwell — delicious — on —
And wonder how the fingers feel
Whose rare — celestial — stir —
Evokes so sweet a torment —
Such sumptuous — Despair —

I would not talk, like Cornets —
I’d rather be the One
Raised softly to the Ceilings —
And out, and easy on —
Through Villages of Ether —
Myself endued Balloon
By but a lip of Metal —
The pier to my Pontoon —

Nor would I be a Poet —
It’s finer — Own the Ear —
Enamored — impotent — content —
The License to revere,
A privilege so awful
What would the Dower be,
Had I the Art to stun myself
With Bolts — of Melody!

I tried to capture the start and stop — of all those dashes, and the Emphasis conveyed by some of the Words being capitalised. And underneath all that, I added 1 Corinthians 14:15: What is it then? I will pray with the spirit, and I will pray with the understanding also: I will sing with the spirit, and I will sing with the understanding also. That comes as part of a long lecture about praying in tongues, but also about women being silent in church, which I am definitely not.

Here are some robotic clarionets playing it:

And here is a .pdf file if you want to follow along.

As usual it’s available on the Choral Public Domain Library, under a Creative Commons Attribution Share-Alike licence: so you can copy it and sing it and so on, without having to ask me for specific permission. I’m also trying to get a print copy on Lulu, but I’m struggling somewhat with the interface, so we’ll see.

I’m able to put my music online for free like this because of my kind supporters at Patreon. If you’re able to, please join them in sponsoring me.

The Old Astronomer

Remember the Musical Hat Draw? Well, my setting of The Old Astronomer, text suggested by AlexSeanchai, has now sold. It was sponsored by Kathleen Jowitt and AlexSeanchai.

I’ve set the first four stanzas to the same tune, and though I had intended this to be a piece for choir and piano or choir and ensemble, it didn’t work out that way. It’s quite folk-y, maybe a little jaunty for the subject matter, but I’m still rather partial to it. “I have loved the stars too fondly to be fearful of the night.”
Sheet music: £20 SOLD!
…and a robot flute recording: £30 (£10 to go)
…and a recording of me singing: £100 (£70 to go)

So: if you’d like to hear this, either on a computerised robot flute or with me singing, go ahead and sponsor it by sending me money on Paypal and letting me know what it’s for. In the meantime, here is the sheet music:

The Old Astronomer melody PDF

This is under a Creative Commons Attribution Share-Alike license. So if you want to, you can perform it, record it, arrange it, print it out, photocopy it, and whatever else; but you must attribute me as the composer, and you mustn’t prevent others from making derivative works.

An Arab Love-Song

This is one of the pieces from the Musical Hat Draw. I really enjoyed that project, but it didn’t result in a single sale of music! So I’ve decided to release the pieces as I normally would, through Patreon, instead. This text was suggested by TJA Thurman, but written by Francis Thompson. It’s for a small or flexible choir, with piano accompaniment.

An Arab Love-Song
Francis Thompson (1859-1907)

THE hunchèd camels of the night
Trouble the bright
And silver waters of the moon.
The Maiden of the Morn will soon
Through Heaven stray and sing,
Star gathering.

Now while the dark about our loves is strewn,
Light of my dark, blood of my heart, O come!
And night will catch her breath up, and be dumb.

Leave thy father, leave thy mother
And thy brother;
Leave the black tents of thy tribe apart!
Am I not thy father and thy brother,
And thy mother?
And thou—what needest with thy tribe’s black tents
Who hast the red pavilion of my heart?

I haven’t done a proper recording of this yet, though it’s possible that I will. In the meantime, here are some robots:

The sheet music is at CPDL as usual, but may not be visible to non-members for a day or so. If you’d like to see it before then you could become a patron and get access to it right away.

Musical Hat Draw: Music Sale!

About a month ago I tried a new-to-me experiment: I asked the internet to suggest texts for me to set to music, on the understanding that I’d do my best at some drafts with random selections of text, and then eventually put the completed music up for sale online. I called it the Musical Hat Draw because I was going to pull numbers out of a hat to decide what order to set the texts in.

I loved this experiment. Having texts that other people chose removed a huge part of the perfectionist angst often associated with composing for me: I didn’t have to spend hours trying to find exactly the right words, I just had to set the text that came out of the hat. It was also interesting to me that some of the texts seemed to lend themselves more to solo songs than choral work.

A stellar fingerprint

I worked for twelve hours on nine first drafts, and have worked for over twenty-six hours (and counting!) on the getting those drafts into a state that I’m happy with. Two of the drafts, I’ve discarded: I didn’t really like the music I’d written, and it seemed foolish to put more work into it. Two of the “good” pieces, I’m not yet offering for sale: one is a Christmas carol which mentions stars a lot, with a public domain text suggested by Kathleen Jowitt (do buy her book), and there are approximately a zillion carol competitions out there at the moment (okay, well, three), so I’m going to hang onto it and enter it into one of those. The other is a star-themed text written for the Musical Hat Draw by Gary Alderson (er, buy his book too) and, after a discussion with my PhD supervisor, I’m re-working my composition for a workshop with a top choir later this term. You’ll get to hear these pieces eventually, when I eventually make them public.

So, without further ado, here are the other five:

1. SOLD! The Old Astronomer, text suggested by Alexseanchai. I’ve set the first four stanzas to the same tune, and though I had intended this to be a piece for choir and piano or choir and ensemble, it didn’t work out that way. It’s quite folk-y, maybe a little jaunty for the subject matter, but I’m still rather partial to it. “I have loved the stars too fondly to be fearful of the night.”
Sheet music: £20
…and a robot flute recording: £30
…and a recording of me singing: £100
Total so far: £10 from Kathleen Jowitt, and the remaining £10 from AlexSeanchai.

2. Starfire Rising, text suggested and written by Elizabeth Barrette. Again, this is fairly folk-y, maybe a bit poppy? Three verses, the third with a slightly different tune for the first half. Piano accompaniment. I need to pay Elizabeth for use of the text but she has set an extremely reasonable price, so most of the below is for my own work.
Sheet music: £60
…and a robot clarionet and piano recording: £70
…and a recording of me singing to a robot piano: £120
…and a recording of me singing AND playing: £170

3. Science Hymn 2, text by the Reverend Ally Barrett. Five verses of 66 66 44 44 metre. She wrote the text to fit the tune “Love Unknown” but that has such strong associations with another set of words that I thought it would be better for the hymn to have its own. Triple time, E-flat major, a strong tune that shouldn’t take too much effort for congregations to learn. Harmonised for SATB.
If you sponsor this hymn you get to choose the hymn tune. You can search for tune names at Hymnary.org to find one that probably hasn’t been used already.
Sheet music: £40
…and a robot clarionets recording: £50
…and a recording of me singing (playing bass on an instrument): £130

4. Stella Maris, by Gary Alderson, based on the traditional Ave maris stella text. Seven verses of 8787, D major, 4/4 time. This is a good hymn tune, but it does sound a little bit like “Brother, sister, let me serve you” at the beginning, which might put some congregations off at first. Harmonised for SATB.
If you sponsor this hymn you get to choose the hymn tune. You can search for tune names at Hymnary.org to find one that probably hasn’t been used already.
Sheet music: £40
…and a robot clarionets recording: £50
…and a recording of me singing (playing bass on an instrument): £130

5. SOLD! Sponsored by my patrons at PatreonAn Arab Love-Song, suggested by TJA Thurman. Two-part choir with ‘upper’ and ‘lower’ voices, for SA or TB or mixed performance; or it could be sung as a duet. Piano accompaniment. Rhythmically and harmonically moderately diffcult.
Sheet music: £90
…and a robot clarionets and piano recording: £100
…and a recording of me singing to a robot piano recording: £180
…and a recording of me singing and playing: £250

When each piece is sponsored I will add your name to the .pdf of the music, and make a public post with the file for people to download, as well as adding it to the Choral Public Domain Library (if appropriate). And I’ll update this page to show that the piece is sponsored.

There may be a delay on the recordings that actually involve me singing: I haven’t done any of them yet, because I’m not sure what to expect, and because I’ve been getting over a cold so my voice is not at its best. That means I’ll have to fit recording in around other work.

Stretch goals!
If total sponsorship reaches £300, I’ll release all of the robot recordings (in mp3 format) for free.
If total sponsorship reaches £400 I will hand-write a copy of the Stella Maris, to print on t-shirts, tea towels and so on.

The sale ends on Tuesday, 10th October at noon BST (GMT+1).

How to sponsor a piece:
Send me some money using Paypal! Be sure to let me know a) which piece(s) you want it to go toward and b) how you’d like to be known on the sponsorship note or whether you’d like the dedication to be for someone else. I’ll keep updating this page regularly during waking hours in the UK; there may be delays when I’m asleep or away from the internet, but I’m supposed to be doing quite a bit of work at the computer this week so it’s likely I’ll mostly keep up.

In the event that a piece does get over-sponsored while I’m asleep or away, I’ll put the money toward recordings of the same piece, unless you instruct me otherwise.

Can’t sponsor an entire piece? That’s okay: we can have multiple sponsors on each piece. Can’t decide which piece to sponsor, but want to give me money anyway? Just let me know, and I’ll allocate it to the “Hatter’s Choice” fund which will sponsor a piece or recording of my choice.

Don’t want to use Paypal? Contact me at artsyhonker at gmail dot com and I’ll see if we can work something else out.

Questions? Ask!

CURRENT TOTAL: £20